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The recent acquisition for the India Office collections of an album of early photographs of Nepal with captions signed simply C.C.T. led to research that has opened up a whole new area of photographic activity in Nepal and the Rajasthan area of India in 1862–64, and made possible the identification of the work of a fine photographer hitherto known only by name. Much, however, still remains to be done to expand on the preliminary survey of the work of Clarence Comyn Taylor presented here.1
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