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Poly 2-ethyl-2-oxazoline/microcrystalline cellulose composites for cultural heritage conservation: Mechanical characterization in dry and wet state and application as lining adhesives of canvas
3 references·2 citing·17 second hop
Poly 2-ethyl-2-oxazoline/microcrystalline cellulose composites for cultural heritage conservation: Mechanical characterization in dry and wet state and application as lining adhesives of canvas (2015)Poly 2-ethyl-2-oxazoline/microcrystalline…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…Cultural Heritage Conservation and Environmental Impact Assessment by Non-Destructive Testing and Micro-Analysis (2005)Cultural Heritage Conservatio…The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s (2002)The structural conservation o…Some Methods for the Degradation-Fragility Degree Determination and for the Consolidation of Treatments with Paraloid B72 of Wood Panels from Icon-Type Heritage Objects (2022)Some Methods for the Degradat…Removable/fluorescent adhesive made by melamine-formaldehyde cross-linked polyvinyl alcohol and its repair application in artifacts (2019)Removable/fluorescent adhesiv…Relative Humidity and the Stress/Strain Response of Canvas Paintings: Uniaxial Measurements of Naturally Aged Samples (1988)Mechanical Behavior of Paintings Subjected to Changes in Temperature and Relative Humidity (1991)Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)About the choice of tension for canvas paintings (2009)Temperature-related degradation and colour changes of historic paintings containing vivianite (2014)Nanomaterials for Combined Stabilisation and Deacidification of Cellulosic Materials—The Case of Iron-Tannate Dyed Cotton (2020)Synthetic materials in art conservation (1981)UV Fluorescent Epoxy Adhesives from Noncovalent and Covalent Incorporation of Coumarin Dyes (2017)Study and conservation of museum objects: Use of classical analytical techniques (1986)A definition of cultural heritage: From the tangible to the intangible (2010)Assessment of Commonly Used Cleaning Methods on the Anatomical Structure of Archaeological Wood (2013)Analysis of trace elements in gold alloys by SR-XRF at high energy at the BAMline (2008)MANGANESE STAINING OF ARCHAEOLOGICAL GLASS: THE CHARACTERIZATION OF Mn-RICH INCLUSIONS IN LEACHED LAYERS AND A HYPOTHESIS OF ITS FORMATION (2010)X-ray fluorescence in investigations of cultural relics and archaeological finds (2011)The crystallization of metal soaps and fatty acids in oil paint model systems (2016)A review of solvent action on oil paint (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)
this work references cited by second hop

References

  • 2013Conservation of Easel Paintings184 cited
  • 2005Cultural Heritage Conservation and Environmental Impact Assessment by Non-Destructive Testing and Micro-Analysis65 cited
  • 2002The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s51 cited

Cited by

  • 2019Removable/fluorescent adhesive made by melamine-formaldehyde cross-linked polyvinyl alcohol and its repair application in artifacts12 cited
  • 2022Some Methods for the Degradation-Fragility Degree Determination and for the Consolidation of Treatments with Paraloid B72 of Wood Panels from Icon-Type Heritage Objects4 cited

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