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New Music for a World Grown Old: Martin Le Franc and the Contenance Angloise
0 references·16 citing·27 second hop
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Cited by

  • 2019The Cambridge History of Music Criticism85 cited
  • 2019Writing about Popular Music53 cited
  • 2012What Fortune Can Do to a Minim48 cited
  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 2020Renaissance Polyphony23 cited
  • 2019MUSICALISING HISTORY16 cited
  • 2017La théorie de la musique6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2014St. Anne in Renaissance music: devotion and politics3 cited
  • 2019Music Criticism in Italy in the Twentieth Century

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2 cited