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Global Creative Industries
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(2022)CAPITAL ASSET PRICES: A THEORY OF MARKET EQUILIBRIUM UNDER CONDITIONS OF RISK* (1964)The Valuation of Risk Assets and the Selection of Risky Investments in Stock Portfolios and Capital Budgets (1965)Rules Rather than Discretion: The Inconsistency of Optimal Plans (1977)Creative Industry 4.0: Towards a New Globalised Creative Economy (an Overview) (2022)Creativity in marketing: Examining the intellectual structure using scientometric analysis and topic modeling (2022)Financial Stability and Innovation: The Role of Non-Performing Loans (2024)Experiential Learning : Experience as the Source of Learning and Development (1983)The theory of planned behavior (1991)The Theory of Economic Development (2003)A qualitative approach to the entrepreneurial education and intentions nexus: A case of Zimbabwean polytechnic students (2018)Unravelling managerial competencies and the profitability of small technology-oriented businesses: A case of public access venues in an emerging economy (2018)How spatial contexts, institutions and self-identity affect entrepreneurial intentions (2020)Global Shift: Mapping the Changing Contours of the World Economy (1988)Location, control and innovation in knowledge-intensive industries (2008)Global Shift: Mapping the Changing Contours of the World Economy (2018)Digital Creative Industries in the Yangtze River Delta: Spatial Diffusion and Response to Regional Development Strategy (2025)The Handbook of Economic Sociology. (1995)Creative Cities and Economic Development (2000)The Creative Economy: How People Make Money From Ideas (2001)Examining the Determinants of Sustainable Competitive Advantage: A Systematic Literature Review (2023)The three worlds of welfare capitalism (1990)A Brief History of Neoliberalism (2005)A Brief History of Neoliberalism (2020)Media policy attitudes and political attitudes: the politization of media policy and the support for the ‘media welfare state’ (2022)Metrics as the new normal – exploring the evolution of audience metrics as a decision-making tool in Swedish newsrooms 1995-2022 (2023)Political Solutions or user Responsibilization? How Politicians understand Problems Connected to Digital Overload (2023)Evaluating Structural Equation Models with Unobservable Variables and Measurement Error (1981)Perceived Usefulness, Perceived Ease of Use, and User Acceptance of Information Technology (1989)User Acceptance of Information Technology: Toward A Unified View1 (2003)A study on factors influencing music enthusiast’s behavioral intention to use generative AI for music composition based on an expanded technology acceptance model (2025)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Development as Freedom (2009)Global Law and Sustainable Development: Change and the “Developing–Developed Country” Terminology (2016)Assessing the potential of the craft sector’s contribution to employment and gross domestic product in South Africa (2022)Rethinking the contribution of creative economies in Africa to sustainable development. An empirical research of creative intermediaries in Accra’s contemporary art sector (2025)From value chain to value constellation: designing interactive strategy. (1993)Social Structure and Competition in Interfirm Networks: The Paradox of Embeddedness (1997)The Rise of the Creative Class (2002)Innovation Dynamic in the Film Industry: The Case of the Soho Cluster in London (2017)Sustainability Determinants of Cultural and Creative Industries in Peripheral Areas (2021)
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  • 2018Creative industries and economic growth: stability of creative products exports earnings44 cited
  • 2015Location Patterns And Location Factors In Cultural And Creative Industries131 cited
  • 2016Toward an ‘African’ take on the cultural and creative industries?29 cited
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  • 2021A Neoliberal Media Welfare State? The Swedish Media System in Transformation19 cited
  • 2016THE IMPACT OF TECHNOLOGICAL CREATIVITY AND ENTREPRENEURSHIP EDUCATION ON THE ENTREPRENEURSHIP INTENTIONS OF STUDENTS AT PARTICULAR TERTIARY INSTITUTIONS IN ZIMBABWE AND SOUTH AFRICA18 cited
  • 2017Introduction – Creative Industries in Europe: Drivers of (New) Sectoral and Spatial Dynamics17 cited
  • 2018The rise of film production locations and specialised film services in European semi-peripheries17 cited
  • 2024Investigating User Acceptance of Mobile Cultural Applications in China: An Expanded Technology Acceptance Model (TAM)13 cited
  • 2020THE MEANING OF CREATIVE ECONOMY IN THE MINANGKABU COMMUNITY IN THE WEST SUMATRA TOURISM DESTINATION AREA, INDONESIA11 cited
  • 2015Media business studies as we see it: why does it matter, for whom, and how do you get published?9 cited
  • 2017After the Archipelago Basins: The Case of Independent Music Stage in Warsaw5 cited
  • 2017Specialisation as a Driver of the Development Dynamics of Creative Cities and City Regions

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5 cited
  • 2015Modelling of the Creative Economy Sustainable Development4 cited
  • 2019On the Market: The Rise of Artisanal Fashion3 cited
  • 2015Entertainment Studies - A Perspective3 cited