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The politics of pop festivals
0 references·15 citing·50 second hop
The politics of pop festivals (1982)The politics of pop festivalsMusic Festival Capitalism (2021)Music Festival CapitalismFrom Woodstock to Glastonbury to the Isle of Wight: The Role of Festival Films in the Construction of the Countercultural Carnivalesque (2019)From Woodstock to Glastonbury…Do music festival communities address environmental sustainability and how? 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(1996)Logics of interdisciplinarity (2008)Practice as Research in the Arts (2013)The cost of music (2020)The Environmental Sustainability of the Music Industries (2020)Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies (2022)The Ritual Process. Structure and Anti-Structure (1971)Postmodernism, or, The cultural logic of late capitalism (1991)The Hidden Musicians: Music-Making in an English Town. (1990)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Music Business and the Experience Economy (2013)The Touring Musician: Repetition and Authenticity in Performance (2014)The Presentation of Self in Everyday Life (2023)
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  • 2011Music festival sponsorship: between commerce and carnival68 cited
  • 2013Glastonbury: managing the mystification of festivity54 cited
  • 2006The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals, and the Emergence of Rave Culture47 cited
  • 2019Do music festival communities address environmental sustainability and how? A Scottish case study32 cited
  • 1999Subversive sites: rave culture, spatial politics and the internet in Sydney, Australia32 cited
  • 2015‘From mosh pit to posh pit’: Festival imagery in the context of the boutique festival28 cited
  • 1995The Utopics of Social Ordering – Stonehenge as a Museum without Walls23 cited
  • 2011"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project20 cited
  • 2011Researching live music: some thoughts on policy implications20 cited
  • 2021Music Festival Capitalism19 cited
  • 2010"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project doi:10.5429/2079-3871(2010)v1i1.3en7 cited
  • 1993“Play it yourself”: Swedish music in movement7 cited
  • 2019From Woodstock to Glastonbury to the Isle of Wight: The Role of Festival Films in the Construction of the Countercultural Carnivalesque6 cited
  • 2018

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‘Does it threaten the status quo?’ Elite responses to British punk, 1976–1978
6 cited
  • 1995Popular music and censorship in Britain: An overview4 cited