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Dead music in live music culture
11 references·0 citing·32 second hop
Dead music in live music culture (2015)Dead music in live music cultureThe Hologram of Tupac at Coachella and saints: the value of relics for devotees (2013)The Hologram of Tupac at Coac…Deadness: Technologies of the Intermundane (2010)Deadness: Technologies of the…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…A prescribed alternative mainstream: popular music and canon formation (2006)A prescribed alternative main…‘Must Be Born Again’: resurrecting the Anthology of American Folk Music (2006)‘Must Be Born Again’: resurre…Contesting the Status of Relief Workers during the New Deal: The Workers Alliance of America and the Works Progress Administration, 1935-1941 (2005)Contesting the Status of Reli…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Dead Elvis: A Chronicle of a Cultural Obsession (1991)Dead Elvis: A Chronicle of a …Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day (1988)Fakesong. The Manufacture of …Popular Music 1: Folk or Popular? Distinctions, Influences, Continuities (1983)Popular Music 1: Folk or Popu…‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)‘The magic that can set you f…The Gender of the GiftProblems with Women and Problems with Society in Melanesia (1988)Club cultures: music, media and subcultural capital (1996)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Decomposed: a political ecology of music (2015)Evolution, Cognition, and Performance (2015)Improvisation and Social Aesthetics (2017)The Cult of the Saints: Its Rise and Function in Latin Christianity (1981)Media Rituals: A Critical Approach (2003)Popular Music in Theory (1996)Mainstreaming: from hegemonic centre to global networks (2002)Popular music analysis: ten apothegms and four instances (2003)History without royalty? Queen and the strata of the popular music canon (2013)Still Like That Old Time Rock and Roll: Tribute Bands and Historical Consciousness in Popular Music (2015)Analog Hallyu: Historicizing K-pop formations in China (2019)Classification in Art (1987)Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)The Cambridge Companion to the Singer-Songwriter (2016)The White Man’s Muscles (1997)Is Elvis a God? (1998)Invisible republics and secret histories: A politics of music (2000)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Subcultural identity in alternative music culture (1993)Consolidating the music scenes perspective (2004)Media Populism: A Conceptual Clarification and Some Theses on its Effects (2014)Vernacular music-making and education (2006)Nazi punks folk off: leisure, nationalism, cultural identity and the consumption of metal and folk music (2012)The Textualization of Homeric Epic by Means of Dictation (2015)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1981‘The magic that can set you free’: the ideology of folk and the myth of the rock community243 cited
  • 2010Deadness: Technologies of the Intermundane228 cited
  • 1988Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day150 cited
  • 1991Dead Elvis: A Chronicle of a Cultural Obsession98 cited
  • 2006‘Must Be Born Again’: resurrecting the Anthology of American Folk Music48 cited
  • 2006A prescribed alternative mainstream: popular music and canon formation43 cited
  • 2013The Hologram of Tupac at Coachella and saints: the value of relics for devotees13 cited
  • 2005Contesting the Status of Relief Workers during the New Deal: The Workers Alliance of America and the Works Progress Administration, 1935-19417 cited
  • 1983Popular Music 1: Folk or Popular? Distinctions, Influences, Continuities4 cited

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