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The article discusses Spanish painter Diego Velazquez's 1640s portrait paintings Portrait of Philip IV and one depicting the dwarf Primo. The author focuses on the technical study of Portrait of Philip IV at the Frick Collection in New York City, including x-radiography and information about the canvas thread count, and discusses Velazquez's painting activity in Fraga, Spain, focusing on confusion about Velazquez's portraits of the dwarfs El Primo and Don Diego de Acedo.
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