Reading Renaissance music theory: hearing with the eyes

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Musicology and Musical Analysis Libraries, Manuscripts, and Books Renaissance and Early Modern Studies

Abstract

List of illustrations Foreward Ian Bent Preface Part I. Beginnings: 1. Prologue: Exempli gratia ... 2. Music theory incunabula: printed books, printed music Part II. 1520-1540: Pietro Aron and Seybald Heyden: 3. Pietro Aron and Petrucci's prints 4. Music anthologies, theory treatises, and the Reformation: Nuremberg in the 1530s and 1540s Part III. The Polyphony of Heinrich Glarean's Dodecachordon (1547): 5. Exempla, commonplace books, and writing theory 6. The polyphony of the Dodecachordon Part IV. Gioseffo Zarlino's Le Istitutioni Harmoniche (1558): 7. Composition and theory mediated by print culture 8. 'On the modes': the citations of Le Istitutioni Harmoniche part IV Part V. Readings Past and Present: 9. Exempli gratia: a reception history of Magnus es tu Domine/Tu pauperum refugium 10. Epilogue: reading theorists reading (music) Bibliography Index.

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2004The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius 2013Recent Studies in Commonplace Books 2002Form 2019The Cambridge History of Sixteenth-Century Music 2014The poetics and politics of youth in Milton's England 2019Music in the Early Colonial World 2020Renaissance Polyphony 2009“Perplex't Paths”: Youth and Authority in Milton's Mask

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