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Nathan John Martin · Study

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Nathan John Martin

12 works· latest 2022· 2 institutionscluster: provisionalORCID 0000-0002-9937-1279

h-index7

i107

Citations298

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Most cited in this library

The ‘Continuous Exposition’ and the Concept of Subordinate Theme2015 · 87 citations
Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet2014 · 67 citations
Music Theory—and Analysis2014 · 32 citations
Formenlehre goes to the opera: Examples from Armida and elsewhere2010 · 31 citations
Larsen's Legacy: The Three-Part Exposition and the New Formenlehre2014 · 28 citations

Works

12 shown

Toward a “Global” History of Music Theory

Journal of Music Theory·2022·1 author

4citations

ROUSSEAU'S AIR CHINOIS

Eighteenth Century Music·2021·1 author

3citations

History for Theorists

Music Theory Online·2019·1 author·Open access

2citations

The ‘Continuous Exposition’ and the Concept of Subordinate Theme

Music Analysis·2015·2 authors

87citations

Mozart’s Sonata-Form Arias

·2015·1 author·other

4citations

THE MOZARTEAN HALF CADENCE

Leuven University Press eBooks·2015·2 authors·chapter

21citations

Music Theory—and Analysis

Music Theory and Analysis (MTA)·2014·3 authors

32citations

Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet

Music Analysis·2014·2 authors·Open access

67citations

Larsen's Legacy: The Three-Part Exposition and the New Formenlehre

·2014·1 author

28citations

Rameau’s Changing Views on Supposition and Suspension

Journal of Music Theory·2012·1 author

16citations

Musical Form, Forms & Formenlehre: Three Methodological Reflections (review)

Notes·2011·1 author

3citations

Formenlehre goes to the opera: Examples from Armida and elsewhere

Studia Musicologica·2010·1 author

31citations