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This essay represents a short reflection on the diverse attitudes that music theorists have taken to their past, illustrated with examples from the current literature using a scheme borrowed from Ian Hacking’s (2002) essay “Two Kinds of ‘New Historicism’ for Philosophers” as its conceptual frame.
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.