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Christopher Alan Reynolds · Study

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Christopher Alan Reynolds

11 works· latest 2015· 2 institutionscluster: provisionalORCID 0000-0001-7408-9018

h-index9

i108

Citations228

Works here11

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Most cited in this library

The Counterpoint of Allusion in Fifteenth-Century Masses1992 · 42 citations
Musical Careers, Ecclesiastical Benefices, and the Example of Johannes Brunet1984 · 30 citations
Porgy and Bess: “An AmericanWozzeck”2007 · 26 citations
A Choral Symphony by Brahms?1985 · 26 citations
Wagner, Schumann, and the Lessons of Beethoven's Ninth2015 · 25 citations

Works

11 shown

Wagner, Schumann, and the Lessons of Beethoven's Ninth

University of California Press eBooks·2015·1 author·book

25citations

Brahms Rhapsodizing: The Alto Rhapsody and Its Expressive Double

Journal of Musicology·2012·1 author·Open access

15citations

Porgy and Bess: “An AmericanWozzeck”

Journal of the Society for American Music·2007·1 author

26citations

Papal Patronage and the Music of St. Peter's, 1380-1513

Notes·1996·2 authors

23citations

Aspects of Clerical Patronage and Musical Migration in the Renaissance

I Tatti Studies·1993·1 author·Open access

5citations

The Counterpoint of Allusion in Fifteenth-Century Masses

Journal of the American Musicological Society·1992·1 author·Open access

42citations

The Representational Impulse in Late Beethoven, I: An die ferne Geliebte

Acta Musicologica·1988·1 author·Open access

19citations

Musical Evidence of Compositional Planning in the Renaissance: Josquin's "Plus nulz regretz"

Journal of the American Musicological Society·1987·1 author

9citations

A Choral Symphony by Brahms?

19th-Century Music·1985·1 author·Open access

26citations

Musical Careers, Ecclesiastical Benefices, and the Example of Johannes Brunet

Journal of the American Musicological Society·1984·1 author

30citations

The origins of San Pietro b 80 and the development of a Roman sacred repertory

Early Music History·1981·1 author

8citations