The Representational Impulse in Late Beethoven, I: An die ferne Geliebte

Christopher Alan Reynolds

19 citations0/0 files storedActa Musicologica

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Poetry Analysis and Criticism Literature, Musicology, and Cultural Analysis

Abstract

This phrase is taken from two important studies of nineteenth-century musical expression: L. FINSCHER, 'Zwischen absoluter und Programmusik': Zur Interpretation der deutschen romantischen Symphonie, in: Clber Symphonien: Beitrdge zu einer musikalischen Gattung.Festschrift Walter Wiora zum

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 19 citations exist upstream.

Cited by

2019Brahms's Elegies

Imported from OpenAlex (CC0) — nothing here is generated.