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The Rhythmic Component of Afrocubanismo in the Art Music of Cuba
6 references·3 citing·36 second hop
The Rhythmic Component of Afrocubanismo in the Art Music of Cuba (2016)The Rhythmic Component of Afrocubanismo i…Meter and Grouping in African Music: A View from Music Theory (2000)Meter and Grouping in African…In the Shadow of the State: Intellectuals and the Quest for National Identity in Twentieth-Century Spanish America (1999)In the Shadow of the State: I…The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music (1997)The Clave of Jazz: A Caribbea…Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory (1996)Turning the Analysis around: …Neo-African Literature: A History of Black Writing (1969)Neo-African Literature: A His…African Negro Music (1928)African Negro MusicCuban Music Counterpoints (2023)Cuban Music CounterpointsGrooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano (2012)Grooves and Waves: Cyclicity …Reinterpretations of the Son: Versions of Guillén's Motivos de son by Grenet, García Caturla, and Roldán (2009)Reinterpretations of the Son:…Twentieth-Century Harmony: Creative Aspects and Practice (1961)Stravinsky and the Russian Traditions (1996)Nationalizing blackness: Afrocubanismo and artistic revolution in Havana, 1920-1940 (1998)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Representing African Music: Postcolonial Notes, Queries, Positions (2004)Groove Aesthetics in Afro-Cuban Jazz: Towards an Empirical Aesthetic Theory (2013)Slavery: A Problem in American Institutional and Intellectual Life (1960)Early Jazz: Its Roots and Musical Development (1970)‘Funky Drummer’: New Orleans, James Brown and the rhythmic transformation of American popular music (2000)Bauza–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean (2004)Rethinking Reich (2019)Structural Functions in Music (1977)Phrase Rhythm in Tonal Music (1991)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)From healing rituals to music therapy: bridging the cultural divide between therapist and young Sudanese refugees (2004)Rhythmic Feel as Meter (2010)Timing and Meter in Mande Drumming from Mali (2014)Gestalt Psychology: An Introduction to New Concepts in Modern Psychology (1970)The Structure of Atonal Music (1973)Maximally Even Sets (1991)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Form as Process: The Buildup Introduction in Popular Music (2015)Performance Practice in the Music of Steve Reich (2016)Nations and nationalism since 1780 programme, myth, reality (1995)The Field of Cultural Production: Essays on Art and Literature (1996)Methodology of the Oppressed (2010)Judging "By the Beat": Calypso versus Soca (1996)Learning to perform as a research technique in ethnomusicology* (2001)Does Language Determine Music in Tone Languages? (2012)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Conforming Disconformity: "Mestizaje," Hybridity, and the Aesthetics of Mexican Nationalism (2004)Transnational intellectual cooperation, the League of Nations, and the problem of order (2011)Humor in African American Discourse (1998)Mestizaje , Transculturation, Heterogeneity (2004)Writing black: the South African short story by black writers (2008)
this work references cited by second hop

References

  • 2000Meter and Grouping in African Music: A View from Music Theory131 cited
  • 1928African Negro Music130 cited
  • 1999In the Shadow of the State: Intellectuals and the Quest for National Identity in Twentieth-Century Spanish America119 cited
  • 1997The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music79 cited
  • 1969Neo-African Literature: A History of Black Writing65 cited
  • 1996Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory55 cited

Cited by

  • 2023Cuban Music Counterpoints5 cited
  • 2012Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano4 cited
  • 2009Reinterpretations of the Son: Versions of Guillén's Motivos de son by Grenet, García Caturla, and Roldán3 cited

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