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Bauza–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean · Study

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ArticleBauza–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean

Jairo Moreno2004

Article2004

Bauza–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean

42 citations·0/0 files stored·South Atlantic Quarterly

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Afro-Latin American Studies Musicology and Musical Analysis Music History and Culture

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References

1977Outline of a Theory of Practice 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism 1997The Black Atlantic: Modernity and Double Consciousness.1957Anatomy of Criticism 1959Anatomy of Criticism: Four Essays 1947Cuban Counterpoint: Tobacco and Sugar 1980Outline of a Theory of Practice 2000Music and the racial imagination

Cited by

2013‘Cocolos Modernos’: Salsa, Reggaetón, and Puerto Rico's Cultural Politics of Blackness 2016The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece 2008Eating, Dancing, and Courting in New York Black and Latino Relations, 1930-1970 2016Reinventing the Latin in Latin Jazz: The Music and Career of Gato Barbieri 2019Bossa Mundo 2011“We Both Speak African”: A Dialogic Study of Afro-Cuban Jazz 2013

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Year2004

Typearticle

Published2004-01-01

VenueSouth Atlantic Quarterly

ISSN-L0038-2876

Languageen

Citations42

Files0 public / 0

ShelfAfro-Latin American Studies

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doi10.1215/00382876-103-1-81

openalex_workW2113377073

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Musical antinomies of race and empire