Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Bauza–Gillespie–Latin/Jazz: Difference, Modernity, and the Black Caribbean

13 references·7 citing·30 second hop

FromToDepth

this work references cited by second hop

References

1977Outline of a Theory of Practice27,539 cited
1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
1957Anatomy of Criticism3,578 cited
1959Anatomy of Criticism: Four Essays2,187 cited
1947Cuban Counterpoint: Tobacco and Sugar953 cited
1980Outline of a Theory of Practice873 cited
2000Music and the racial imagination629 cited
1991Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same258 cited
1980The Latin Tinge: The Impact of Latin American Music on the United States117 cited
1997The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music79 cited
1999Latin jazz: the first of the fusions, 1880s to today56 cited
1980To Be or Not to Bop54 cited

Cited by

2013‘Cocolos Modernos’: Salsa, Reggaetón, and Puerto Rico's Cultural Politics of Blackness24 cited
2016The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece16 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2008

Eating, Dancing, and Courting in New York Black and Latino Relations, 1930-1970

12 cited

2016Reinventing the Latin in Latin Jazz: The Music and Career of Gato Barbieri10 cited

2019Bossa Mundo7 cited

2011“We Both Speak African”: A Dialogic Study of Afro-Cuban Jazz4 cited

2013Musical antinomies of race and empire3 cited