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A Tetrahedral Graph of Tetrachordal Voice-Leading Space
8 references·8 citing·24 second hop
A Tetrahedral Graph of Tetrachordal Voice-Leading Space (2003)A Tetrahedral Graph of Tetrachordal Voice…Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Voice-Leading Parsimony in th…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Properties and Generability of Transpositionally Invariant Sets (1991)Properties and Generability o…Variety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…Diatonic Voice-Leading Transformations (2023)Diatonic Voice-Leading Transf…Generic (Mod-7) Voice-Leading Spaces (2019)Generic (Mod-7) Voice-Leading…Interval Permutations (2013)Interval PermutationsA Tonnetz model for pentachords (2013)A Tonnetz model for pentachor…Review of Dmitri Tymoczko,A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice(Oxford University Press, 2011) (2011)Review of Dmitri Tymoczko,A G…Birdcage Flights (2009)Birdcage FlightsB rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic (2009)B rahms ' s M otivic H armoni…A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue fromWTCI (2007)A Tetrahelix Animates Bach: R…Perspectives of New Music (1963)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Voice Leading in Set-Class Space (2005)The Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)The Geometry of Musical Chords (2006)Hipster Harmony (2015)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Scale Networks and Debussy (2004)Cross-Type Transformations and the Path Consistency Condition (2007)Symmetrical Form and Common-Practice Tonality (1998)Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Musical Actions of Dihedral Groups (2009)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)Aspects of Well-Formed Scales (1989)The distance geometry of music (2008)Action and Agency Revisited (2013)Generalized Tonnetz and Well-Formed GTS: A Scale Theory Inspired by the Neo-Riemannians (2009)Metaphors in Motion (2009)Models and Music Theory (2011)
this work references cited by second hop

References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited
  • 1991Properties and Generability of Transpositionally Invariant Sets38 cited

Cited by

  • 2009Birdcage Flights13 cited
  • 2007A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue fromWTCI8 cited
  • 2009B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic7 cited
  • 2019Generic (Mod-7) Voice-Leading Spaces6 cited
  • 2023Diatonic Voice-Leading Transformations4 cited
  • 2011Review of Dmitri Tymoczko,A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice(Oxford University Press, 2011)

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4 cited
  • 2013A Tonnetz model for pentachords3 cited
  • 2013Interval Permutations3 cited