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O piano expandido no seculo XX nas obras para piano preparado de John Cage
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O piano expandido no seculo XX nas obras para piano preparado de John Cage (2004)O piano expandido no seculo XX nas obras …New Music and the Claims of Modernity (2017)New Music and the Claims of M…Structure vs. Form in The Sonatas and Interludes for Prepared Piano (2013)Structure vs. Form in The Son…Cultural Intersections: John Cage in Seattle (1938-1940) (2013)Cultural Intersections: John …Silence : lectures and writings (2011)Silence : lectures and writin…New Music and the Claims of Modernity (1999)New Music and the Claims of M…Transethnicism and the American Experimental Tradition (1996)Transethnicism and the Americ…New Musical Resources (1996)New Musical ResourcesThe Music of John Cage (1993)The Music of John CageThe Boulez-Cage Correspondence (1993)The Boulez-Cage CorrespondenceTwentieth-century piano music (1991)Twentieth-century piano musicTwentieth-Century Music (1991)Twentieth-Century MusicSoundings : music in the twentieth century (1988)Soundings : music in the twen…The New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of M…Introduction to Contemporary Music (1980)Introduction to Contemporary …Experimental Music: Cage and Beyond (1975)Experimental Music: Cage and …Carnivals for elites? The cultural politics of arts festivals (1998)The Total Work of Art in European Modernism (2011)Classical and Romantic Performing Practice (2025)Berio'sSequenza IV: Approaches to performance and interpretation (2007)Embodied Experimentalism and Henry Cowell’s The Banshee (2010)The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age (2014)A paper with an interest in rhythm (2002)CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE (2013)Musical Witness and Holocaust Representation (2015)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)John Cage in Separate Togetherness with Jazz (2012)Music theory and mathematics (2002)Instruments of Music Theory (2016)The Cambridge Companion to Percussion (2016)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)After Adorno : rethinking music sociology (2003)Music and the materialization of identities (2011)Individual Differences (2000)The Propulsion Model of Creative Contributions Applied to the Arts and Letters (2001)Sonorystyka w twórczości kompozytorów polskich XX wieku (2010)Multicultural Iberia: Language, Literature, and Music (2001)The Origins of “Dissonant Counterpoint”: Henry Cowell's Unpublished Notebook (2011)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)Minimalism: Aesthetic, Style, or Technique? (1994)Democracy and Music Education: Liberalism, Ethics, and the Politics of Practice (2004)
this work references cited by second hop

References

  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 2011Silence : lectures and writings864 cited
  • 1975Experimental Music: Cage and Beyond317 cited
  • 1993The Music of John Cage180 cited
  • 1988Soundings : music in the twentieth century137 cited
  • 1996New Musical Resources133 cited
  • 1993The Boulez-Cage Correspondence79 cited
  • 1980Introduction to Contemporary Music58 cited
  • 1991Twentieth-Century Music56 cited
  • 1991Twentieth-century piano music50 cited
  • 1996Transethnicism and the American Experimental Tradition38 cited
  • 2017New Music and the Claims of Modernity37 cited
  • 2013Cultural Intersections: John Cage in Seattle (1938-1940)5 cited
  • 1999New Music and the Claims of Modernity5 cited
  • 2013Structure vs. Form in The Sonatas and Interludes for Prepared Piano4 cited

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