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The Bilingual Verbal Art of Fama: Linguistic Hybridity and Creativity of a Hong Kong Hip-Hop Group
8 references·1 citing·37 second hop
The Bilingual Verbal Art of Fama: Linguistic Hybridity and Creativity of a Hong Kong Hip-Hop Group (2011)The Bilingual Verbal Art of Fama: Linguis…English in Hong Kong Cantopop: language choice, code‐switching and genre (2009)English in Hong Kong Cantopop…“Respect for da Chopstick Hip Hop”: The politics, poetics, and pedagogy of Cantonese verbal art in Hong Kong (2008)“Respect for da Chopstick Hip…Gender and everyday evasions: moving with Cantopop1 (2007)Gender and everyday evasions:…English as a Global Language and Education for Cosmopolitan Citizenship (2007)English as a Global Language …Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era (2007)Before and after the Fall: Ma…Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong (2002)Emotional energy and sub-cult…Cantopop (2002)Cantopop5 Why Two Languages Might Be Better Than One: Motivations of Language Mixing in Hong Kong (1998)5 Why Two Languages Might Be …Cantonese‐English code‐switching in Cantopop television drama theme songs (2020)Cantonese‐English code‐switch…Studies in Ethnomethodology. (1968)The Condition of Postmodernity (1991)Lectures on Conversation (1995)Hybridity, Empowerment and Subversiveness in Cantopop Electronic Dance Music (2010)Linguistic Imperialism (1993)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Globalization: The Human Consequences (1998)Developing and evaluating intercultural competence: Ethnographies of intercultural encounters (2012)Difference in diversity: multiple perspectives on multicultural, intercultural, and transcultural conceptual complexities (2015)YouTube as a source of information about orthodontic clear aligners (2020)Hong Kong: culture and politics of disappearance (1997)Sexing the Groove: Popular Music and Gender (1998)3.2. MARXISM AND LITERATURE (2006)Multi-Media Stardom, Performance and Theme Songs in Hong Kong Cinema (2011)‘Mediated persona’ and Hong Kong stars: negotiating mainland celebrity (2013)Discourse Strategies (1982)Genre Analysis: English in Academic and Research Settings (1992)Discourse and Social Change. (1993)Codeswitching, identity and ownership in Irish radio comedy (2010)Creative multilingualism in Hong Kong popular music (2010)Relocalizing the translingual practices of young adults in Mongolia and Bangladesh (2015)Modernity at Large: Cultural Dimensions of Globalization. (1998)Creative industries: contracts between art and commerce (2000)The Cultural Industries (2019)Children deciding the family language in Chinese families in multiethnic Malaysia (2023)It’s My Party (2024)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)Research Methods in Applied Linguistics (2021)The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music (2009)Hip-Hop Heteroglossia as Practice, Pleasure, and Public Pedagogy: Translanguaging in the lyrical poetics of “24 Herbs” in Hong Kong (2013)Trans-border televisual musicscape: Regionalizing reality TV I am a Singer in China and Hong Kong (2017)“I am Maasai”: Interpreting ethnic parody in Bongo Flava (2010)Deference, Denial, and Beyond (2011)Translanguaging in the Multilingual Montreal Hip-Hop Community: Everyday Poetics as Counter to the Myths of the Monolingual Classroom (2013)Cantonese Speakers' Memory for English Sentences with Prosodic Cues (2000)One day in the life of a “purist” (2002)Language Attitudes and Gender in China: Perceptions and Reported Use of Putonghua and Cantonese in the Southern Province of Guangdong (2008)
this work references cited by second hop

References

  • 2007English as a Global Language and Education for Cosmopolitan Citizenship140 cited
  • 2009English in Hong Kong Cantopop: language choice, code‐switching and genre53 cited
  • 19985 Why Two Languages Might Be Better Than One: Motivations of Language Mixing in Hong Kong51 cited
  • 2002Cantopop35 cited
  • 2008“Respect for da Chopstick Hip Hop”: The politics, poetics, and pedagogy of Cantonese verbal art in Hong Kong22 cited
  • 2002Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong20 cited
  • 2007Gender and everyday evasions: moving with Cantopop116 cited
  • 2007Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era13 cited

Cited by

  • 2020Cantonese‐English code‐switching in Cantopop television drama theme songs2 cited

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