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Film music : critical approaches
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  • 2010Soundscapes: Toward a Sounded Anthropology374 cited
  • 2009The Harpist in the Closet: Film Music as Epistemological Joke44 cited
  • 2006Musical rhetoric in integrated-media composition38 cited
  • 2014Before Kong Was King: Competing Methods in Hollywood Underscore31 cited
  • 2012Introduction: Gender, Sexuality, and the Soundtrack29 cited
  • 2014“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film13 cited
  • 2017Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia12 cited
  • 2007British Film Music10 cited
  • 2003Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell8 cited
  • 2014Revenge and the Family Romance in Tarantino’s Kill Bill8 cited
  • 2015Scoring The President: Myth and Politics in John Williams'sJFKandNixon7 cited
  • 2012It’s a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music’: The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal7 cited
  • 2019Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema7 cited
  • 2013What is this music? Auteur music in the films of Wes Anderson

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7 cited
  • 2010Video game genres and their music6 cited
  • 2012Detective Agency? Scoring the Amateur Female Investigator in 1940S Hollywood5 cited