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Image and Audience: Rethinking Prehistoric Art
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  • 2014Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges97 cited
  • 2010Spatial Structures and Symbolic Systems in Irish and British Passage Tombs: the Organization of Architectural Elements, Parietal Carved Signs and Funerary Deposits40 cited
  • 2013Iconographic method in New World prehistory36 cited
  • 2013Exchange Networks and Local Transformations: Interaction and Local Change in Europe and the Mediterranean from the Bronze Age to the Iron Age35 cited
  • 2013The earth, the sky and the water's edge: changing beliefs in the earlier prehistory of Northern Europe35 cited
  • 2019Northern Archaeology and Cosmology23 cited
  • 2012Las imágenes como un modo de acción: las estatuas de guerreros castreños22 cited
  • 2013Tunnel Visions: a Decorated Cave at El Pedroso, Castile, in the Light of Fieldwork21 cited
  • 2011‘Fancy Objects’ in the British Iron Age: Why Decorate?16 cited
  • 2014Coastal Cosmologies: Long-Term Perspectives on the Perception and Understanding of Dynamic Coastal Landscapes in the Northern Baltic Sea Region12 cited
  • 2013Daggers in the West: Early Bronze Age Daggers and Knives in the South-west Peninsula9 cited
  • 2013From Landscape to Portable Art: The Changing Settings of Simple Rock Art in South-West Britain and its Wider Context6 cited
  • 2013Images of Shoes and Feet: Rock-Art Motifs and the Concepts of Dress and Nakedness

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5 cited
  • 2016The socio-ritual organisation of the upper Limarí Valley: Two rock art traditions, one landscape5 cited
  • 2012A media luz. Grabados de la Prehistoria Reciente en abrigos galaicos5 cited
  • 2012Imagery beyond Representation5 cited