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Cited by

• 2011Multilingualism, Romance, and Language Pedagogy; or, Why Were So Many Sentimental Romances Printed as Polyglot Texts?19 cited
• 2003Usury and Counterfeiting in Wilson’s The Three Ladies of London and The Three Lords and Three Ladies of London, and in Shakespeare’s Measure for Measure16 cited
• 2007Cruising the Mediterranean: Narratives of Sexuality and Geographies of the Eastern Mediterranean in Early Modern English Prose Romances13 cited
• 1998‘A book, and solitariness’: Melancholia, Gender and Literary Subjectivity in Mary Wroth’s Urania7 cited
• 2011Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity6 cited
• 2015Anxious householders: theft and anti-usury discourse in Shakespeare’s Venetian plays6 cited
• 2003Narratives of experience6 cited
• 2005The Politics of Women’s Friendship in Early Modern England6 cited
• 2002The Mat(t)er of Death: The Defense of Eve and the Female Ars Moriendi6 cited
• 2005‘She has that in her belly will dry up your ink’: Femininity as Challenge in the ‘Equitable Drama’ of John Webster5 cited
• 2014True Interest and the Affections: The Dangers of Lawful Lending in The Merchant of Venice4 cited
• 2003“Dissordinate Desire” and the Construction of Geographic Otherness in the Early Modern Novella3 cited
• 2004Die Frühe Neuzeit: Von Morus BIS Milton