SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream
0 references·16 citing·38 second hop
Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream (2002)Sculpture: Some Observations on Shape and…The Passions of John Addington Symonds (2022)The Passions of John Addingto…The youth of antiquity: reception, homosexuality, alterity (2019)The youth of antiquity: recep…Distorted Love: Mapplethorpe, the Neo/Classical Sculptural Black Nude, and Visual Cultures of Transatlantic Enslavement (2019)Distorted Love: Mapplethorpe,…C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h 278 (1782) (2016)C. P. E. BACH ‘IN TORMENTIS’:…Arqueología y sensorialidad. Hacia una ontología de afectos y flujos (2015)Arqueología y sensorialidad. …Where Publics May Touch (2014)Where Publics May TouchWhat's in the Drawer? (2014)What's in the Drawer?Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Archaeology and the Senses: H…Johann Gottfried Herder and the global moment of world-music history (2013)Johann Gottfried Herder and t…Herder's Sculptural Thinking (2011)Herder's Sculptural ThinkingHerder on Humanity and Cultural Difference: Enlightened Relativism (2011)Herder on Humanity and Cultur…The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 1900 (2008)The pulse of modernism: exper…THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM (2008)THE “HARD FORM” OF SCULPTURE:…The Sense of Touch in 'Don Giovanni' (2007)The Sense of Touch in 'Don Gi…Free Play and True Well-Being: Herder's Critique of Kant's Aesthetics (2007)Free Play and True Well-Being…History of Modern Aesthetics (2005)History of Modern AestheticsThe Principles of Psychology (1891)Understanding Media: The Extensions of Man (1964)‘The subjective inside us can turn into the objective outside’: Vernon Lee’s Psychological Aesthetics (2011)Self-Projection: Hugo Münsterberg on Empathy and Oscillation in Cinema Spectatorship (2012)From facial expressions to bodily gestures (2015)Principles of Scientific Management, The (2015)Essay on the Origin of Human Knowledge (2001)Treatise on the Origin of Language (1772) (2002)Philosophical writings (2003)Sculptural Thinking in Fashion (2016)Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920 (2020)Disinterestedness and Desire in Kant's Aesthetics (1978)The Third Earl of Shaftesbury, 1671-1713 (1987)Critique of the Power of Judgment (2002)From Locke to Saussure: Essays on the Study of Language and Intellectual History. (1983)Critique of Judgment (1994)Oeuvres philosophiques, 1773-1790 (2004)Phenomenology of Perception (1982)A Thousand Plateaus: Capitalism and Schizophrenia (1989)A manifesto for a social zooarchaeology. Swans and other beings in the Mesolithic (2013)Relational Personhood Revisited (2016)Assemblages and Scale in Archaeology (2017)PHENOMENOLOGY OF PERCEPTION (1963)The Question Concerning Technology, and Other Essays (1977)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Sister Outsider: Essays and Speeches (1984)Saint Foucault: Towards a Gay Hagiography (1997)“The Ones Who Bloom in the Bitter Snow”: Hadestown and the Queer Afterlives of Orpheus (2024)Camera Lucida: Reflections on Photography (2001)Being and Time (1927)Human Agency and Language (1985)The Location of Culture (2012)Hegel, the End of History, and the Future (2014)Herder's Naturalist Aesthetics (2019)How To Do Things With Words (1975)Creating the semi‐living: on politics, aesthetics and the more‐than‐human (2009)Democracy and Education (2015)Play and Aesthetics in Ancient Greece (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014Archaeology and the Senses: Human Experience, Memory, and Affect258 cited
  • 2011Herder on Humanity and Cultural Difference: Enlightened Relativism113 cited
  • 2005History of Modern Aesthetics103 cited
  • 2008The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 190050 cited
  • 2019The youth of antiquity: reception, homosexuality, alterity39 cited
  • 2007Free Play and True Well-Being: Herder's Critique of Kant's Aesthetics25 cited
  • 2011Herder's Sculptural Thinking18 cited
  • 2022The Passions of John Addington Symonds16 cited
  • 2008THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM14 cited
  • 2015Arqueología y sensorialidad. Hacia una ontología de afectos y flujos14 cited
  • 2014What's in the Drawer?12 cited
  • 2014Where Publics May Touch8 cited
  • 2013Johann Gottfried Herder and the global moment of world-music history6 cited
  • 2016C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h 278 (1782)4 cited
  • 2019Distorted Love: Mapplethorpe, the Neo/Classical Sculptural Black Nude, and Visual Cultures of Transatlantic Enslavement

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited
  • 2007The Sense of Touch in 'Don Giovanni'3 cited