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Knowing the score: Notes on film music
0 references·16 citing·34 second hop
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  • 2012Frontier figures: American music and the mythology of the American West31 cited
  • 1988The Use of Music in Popular Film: East and West30 cited
  • 2018Technische Verfahren in der Filmmusik23 cited
  • 2011Deleuze and film music: building a methodological bridge between film theory and music19 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2007Para-Paracinema13 cited
  • 2009Film Music—What’s in a Name?11 cited
  • 2009Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches10 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film9 cited
  • 2009“Stanley Hates This But I Like It!”8 cited
  • 2010Bernard Herrmann8 cited
  • 2004“You Know What I Want to Hear”7 cited
  • 2006Towards an Aesthetic of Film Music: Musicology Meets the Film Soundtrack7 cited
  • 2008Deleuze and film music3 cited

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  • 2007Pure Quidditas or Geek Chic?2 cited