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Cited by

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• 2016Choralities86 cited
• 2019MATHEMATICS AND MAGIC: THEIST AND ATHEIST IDENTIFICATION WITH THE SPIRITUAL MUSIC OF KARLHEINZ STOCKHAUSEN64 cited
• 2012Vocal performance in the seventeenth century56 cited
• 1987Levels of structure in the organization of musical time56 cited
• 1996Real-World Music as Composed Listening55 cited
• 2012The Cambridge History of Musical Performance46 cited
• 1989Composing strategies and pedagogy29 cited
• 1986Technology and the Composer28 cited
• 2004Twentieth-Century Chamber Music26 cited
• 1994Stockhausen's Paradigm: A Survey of His Theories20 cited
• 2010The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères17 cited
• 1981Stockhausen's electronic works; sketches and work‐sheets from 1952–196715 cited
• 2012The performer and the composer10 cited
• 2016Natural Sounds and Musical Sounds: A Dual Distinction7 cited