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Memoirs of a Musical Object, Supposedly Written by Itself: It–Narrative and Eighteenth– Century Marketing
16 references·0 citing·30 second hop
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References

  • 1986The cultural biography of things: commoditization as process4,863 cited
  • 1958The Affluent Society2,208 cited
  • 1989The Romantic Ethic and the Spirit of Modern Consumerism1,483 cited
  • 1962The hidden persuaders814 cited
  • 1982The Birth of a Consumer Society: The Commercialization of Eighteenth Century England792 cited
  • 2006Sentimental Figures of Empire in Eighteenth-Century Britain and France340 cited
  • 2004The fugitive's properties: law and the poetics of possession176 cited
  • 2009Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament134 cited
  • 1999Commerce, morality and the eighteenth-century novel99 cited
  • 2012Knowing books: the consciousness of mediation in eighteenth-century Britain79 cited
  • 1998Speaking Objects: The Circulation of Stories in Eighteenth-Century Prose Fiction77 cited
  • 1993Britannia's Rule and the It-Narrator59 cited
  • 2001Modern Metamorphoses and Disgraceful Tales51 cited
  • 2005Haydn's career and the idea of the multiple audience50 cited
  • 2009Changing the Score: Arias, Prima Donnas, and the Authority of Performance49 cited

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2009
Music for a mixed taste: style, genre, and meaning in Telemann's instrumental works
44 cited

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