Music for a mixed taste: style, genre, and meaning in Telemann's instrumental works

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Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

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ABBREVIATIONS LIST OF MUSICAL EXAMPLES LIST OF TABLES LIST OF FIGURES PROLOGUE: STYLES AND SOURCES TELEMANN AND THE GERMAN MIXED TASTE GENIUS IN THE CLOSET PART I: THE OVERTURE-SUITES PART II: THE CONCERTOS PART III: THE SONATAS PART IV: THE HAMBURG PUBLICATIONS AFTERWARD GLOSSARY BIBLIOGRAPHY INDEX OF TELEMANN'S COMPOSITIONS GENERAL INDEX

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2014Eastern European National Music as Concept and Commodity at the Turn of the Nineteenth Century 2016Telemann’s Musique de table and the Tafelmusik Tradition 2016C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h 278 (1782)2013Memoirs of a Musical Object, Supposedly Written by Itself: It–Narrative and Eighteenth– Century Marketing 2016THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG 2009The overture-suite, concerto grosso, ripieno concerto andHarmoniemusikin the eighteenth century

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