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Cited by

• 2014Eastern European National Music as Concept and Commodity at the Turn of the Nineteenth Century7 cited
• 2016Telemann’s Musique de table and the Tafelmusik Tradition4 cited
• 2016C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h 278 (1782)4 cited
• 2013Memoirs of a Musical Object, Supposedly Written by Itself: It–Narrative and Eighteenth– Century Marketing3 cited
• 2016THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG3 cited
• 2009The overture-suite, concerto grosso, ripieno concerto andHarmoniemusikin the eighteenth century2 cited
• 2011Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition2 cited
• 2016Musical Representation and Vivaldi's Concerto Il Proteo, ò Il mondo al rovverscio, RV 544/5722 cited