Deleuze and Music

Ian Buchanan · Marcel Swiboda

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Musicology and Musical Analysis Music History and Culture Sound Studies and Aurality

Abstract

Contents Introduction: Deleuze and Music Ian Buchanan 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets Eugene Holland 2 Is Pop Music? Greg Hainge 3 Deleuze, Adorno, and the Composition of Musical Multiplicity Nick Nesbitt 4 Affect and Individuation in Popular Electronic Music Drew Hemment 5 Violence in Three Shades of Metal: Death, Doom and Black Ronald Bogue 6 Becoming-Music: The Rhizomatic Moment of Improvisation Jeremy Gilbert 7 Rhythm: Assemblage and Event Phil Turetsky 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings Timothy S. Murphy 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault D'Allonnes Jean-Godefroy Bidima 10 Cosmic Strategies: The Electric Experiments of Miles Davis Marcel Swiboda Notes on Contributors Index.

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2011The emergence and change of management accounting routines 2007Deleuze, Altered States and Film 2012Living Otherwise: Students with Profound and Multiple Learning Disabilities as Agents in Educational Contexts 2003Representation and Misrepresentation in Postcolonial Literature and Theory 2012What We Hear is Meaning Too: Deconstruction, Dialogue, and Music 2011Deleuze and film music: building a methodological bridge between film theory and music 2007Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92 2008Is There a Deleuzian Musical Work?

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