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Cited by

• 2011The emergence and change of management accounting routines83 cited
• 2007Deleuze, Altered States and Film61 cited
• 2003Representation and Misrepresentation in Postcolonial Literature and Theory27 cited
• 2012Living Otherwise: Students with Profound and Multiple Learning Disabilities as Agents in Educational Contexts27 cited
• 2012What We Hear is Meaning Too: Deconstruction, Dialogue, and Music20 cited
• 2011Deleuze and film music: building a methodological bridge between film theory and music19 cited
• 2007Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-9215 cited
• 2008Is There a Deleuzian Musical Work?14 cited
• 2010The Jazz Image13 cited
• 2008Body politics and spaces of drug addiction in Darren Aronofsky’s Requiem for a Dream13 cited
• 2007Philosophy of New Jazz: Reconstructing Adorno12 cited
• 2012Deleuze and world cinemas11 cited
• 2014The Touring Musician: Repetition and Authenticity in Performance10 cited
• 2014Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking9 cited