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Lewinian Transformations, Transformations of Transformations, Musical Hermeneutics
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Lewinian Transformations, Transformations of Transformations, Musical Hermeneutics (2012)Lewinian Transformations, Transformations…Grove Music Online (2006)Grove Music OnlineIntertextuality in Western art music (2005)Intertextuality in Western ar…Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Renaissance Music: Music in Western Europe, 1400–1600 (1998)Renaissance Music: Music in W…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Reimag(in)ing Riemann (1995)Reimag(in)ing RiemannThe Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Music Theory, Phenomenology, and Modes of Perception (1986)Music Theory, Phenomenology, …A Formal Theory of Generalized Tonal Functions (1982)A Formal Theory of Generalize…How We Got into Analysis, and How to Get out (1980)How We Got into Analysis, and…Structural Hearing; Tonal Coherence in Music (1953)Structural Hearing; Tonal Coh…A general introduction to psychoanalysis. (1920)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)History of Western Philosophy (2013)Music and Ethical Responsibility (2014)The Phenomenology of Internal Time-Consciousness (2019)‘As if a little bird is sitting on your finger...’: metaphor as a key instrument in training professional musicians (2006)Crossmodal correspondences between sounds and tastes (2012)Music as Collective Invention: A Social Network Analysis of Composers (2014)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)How We Got Out of Analysis, and How to Get Back In Again (2004)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)The Geometry of Musical Chords (2006)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Choreomusical Conversations: Facing a Double Challenge (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)The End(s) of Genre (2013)
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References

  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music530 cited
  • 1988Generalized Musical Intervals and Transformations494 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions377 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective307 cited
  • 2005Intertextuality in Western art music275 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 2006Grove Music Online255 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1953Structural Hearing; Tonal Coherence in Music247 cited
  • 1995Reimag(in)ing Riemann152 cited
  • 1982A Formal Theory of Generalized Tonal Functions149 cited
  • 1998Renaissance Music: Music in Western Europe, 1400–1600134 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"133 cited
  • 2003

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Uniformity, Balance, and Smoothness in Atonal Voice Leading
131 cited

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