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Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century
4 references·11 citing·46 second hop
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References

  • 1976The History of Impressionism185 cited
  • 1959The Complete Letters of Vincent Van Gogh98 cited
  • 1996Monet: Or the Triumph of Impressionism20 cited
  • 1985Juries, Protests, and Counter-Exhibitions before 185012 cited

Cited by

  • 2009Creativity from interaction: Artistic movements and the creativity careers of modern painters83 cited
  • 2016The Paradox of Controversial Innovation: Insights From the Rise of Impressionism44 cited
  • 2017Placing Collaborative Circles in Strategic Action Fields: Explaining Differences between Highly Creative Groups*43 cited
  • 2011The Decline and Fall of the Paris Salon : a Study of the Deinstitutionalization Pro cess of a Field Configuring Event in the Cultural Activities37 cited
  • 2008L’histoire de l’art et le quantitatif28 cited
  • 2008Marché et hiérarchie26 cited
  • 2004The Economics of Latin American Art: Creativity Patterns and Rates of Return24 cited
  • 2020Liberalizing art. Evidence on the Impressionists at the end of the Paris Salon19 cited
  • 2009Les critiques d’art contemporain15 cited
  • 2001Masterpieces and Markets: Why the Most Famous Modern Paintings Are Not by American Artists8 cited
  • 2019Revisiting Harrison and Cynthia White’s Academic vs. Dealer-Critic System

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7 cited