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Cited by

• 2009Ambient Literature and the Aesthetics of Calm: Mood Regulation in Contemporary Japanese Fiction23 cited
• 2010Recombinant Poetics: Emergent Meaning as Examined and Explored Within a Specific Generative Virtual Environment20 cited
• 2004The “Kraftwerk-Effekt”: Transatlantic circulation, global networks and contemporary pop music14 cited
• 2017Defining Twentieth- and Twenty-First-Century Music14 cited
• 2023Sound Design14 cited
• 2015Sounding out ‘the scenographic turn’: eight position statements12 cited
• 2022Turn On, Tune In, Drift Off11 cited
• 2019The Political Economy of Music and Sound10 cited
• 2019IT SOUNDS BETTER IN THE BAHAMAS9 cited
• 2008Sound, technology, and interpretation in subcultures of heavy music production8 cited
• 2010"Utopian Punk": The Concept of the Utopian in the Creative Practice of Björk8 cited
• 2018Hearing Timbre8 cited
• 2008IDENTITY POLITICS RECO(R)DED: VINYL HUNTERS AS EXOTES IN TIME; pp. 342–3546 cited
• 2007MUSICAL CREATION, RECEPTION, AND CONSUMPTION IN A VIRTUAL PLACE6 cited
• 2008King Tubby meets the Upsetter at the grass roots of dub