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Cited by

• 1996A Cornerstone for Rethinking Community Theatre61 cited
• 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre35 cited
• 2003Possible worlds and the concept of reference in the semiotics of theater17 cited
• 2012‘Argue with Us!’: Audience Co-creation through Post-Performance Discussions14 cited
• 2007The ‘relationship managers’: Towards a theorising of the Teacher-in-Role / Student relationship11 cited
• 2016The expanding galaxy of performing arts: extending theories and questioning practices8 cited
• 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited
• 1996Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage6 cited
• 1995Theatre History and the Nation-State6 cited
• 2014Murder Most Queer4 cited
• 1995Accounting for the Audience in Historical Reconstruction: Martin Jones's Production of Langston Hughes's Mulatto3 cited