Shakespeare and the power of performance: stage and page in the Elizabethan theatre

Abstract

Introduction 1. 'Moralize two meanings' in one play: contrariety on the Tudor stage 2. Performance, game, and representation in Richard III 3. Mingling vice and 'worthiness' in King John 4. Clowning: agencies between voice and pen 5. Clowning at the frontiers of representation 6. Cross-dressing and performance in disguise 7. Personation and playing: 'secretly open' role-playing 8. Character/actor: the deep matrix 9. Character: depth, dialogue, page 10. King Lear: representations on stage and page.

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