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Gesammelte Schriften uber Musik und Musiker
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  • 1995Mendelssohn's "Scottish" Symphony and the Music of German Memory34 cited
  • 1998Piano Technique and Fingering in the Eighteenth and Nineteenth Centuries: Bringing a Forgotten Method Back to Life33 cited
  • 2017Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism31 cited
  • 1988The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid30 cited
  • 2005Redefining the Status of Opera: London and Leipzig, 1800–184826 cited
  • 2007Genre, Romanticism and Female Authorship: Fanny Hensel's ‘Scottish’ Sonata in G Minor (1843)24 cited
  • 1999Zum Textstatus von Kompositions-Skizzen und -Entwürfen21 cited
  • 2012Tonal Structures in Bellini21 cited
  • 2012‘The moral background of the work of art’: ‘character’ in German musical aesthetics, 1780–185015 cited
  • 1998Explicating Jean Paul: Robert Schumann's Program for "Papillons," Op. 214 cited
  • 1999Chopin and the Ghost of Beethoven13 cited
  • 1998The Elusive Fantasy: Genre, Form, and Program in Tchaikovsky's "Francesca da Rimini"5 cited
  • 2005Commentary: Opera in the Age of Revolution5 cited
  • 2022The critic’s voice: On the role and function of criticism of classical music recordings4 cited

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  • 1984A New Manuscript of Robert Schumann's Waldszenen Op. 824 cited
  • 2012Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn4 cited