Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn

Matthew Charles Dirst

4 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

1. Why the keyboard works? 2. Inventing the Bach chorale 3. What Mozart learned from Bach 4. A burgerlicher Bach: turn-of-the-century German advocacy 5. The virtuous fugue: English reception to 1840 6. Bach for whom? Modes of interpretation and performance, 1820-50.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 4 citations exist upstream.

References

1935The sublime : a study of critical theories in XVIII-century England 2018A General History of Music, from the Earliest Ages to the Present Period 2025Der vollkommene Capellmeister 1969Versuch einer Anleitung zur Composition 1990German History 1770-1866 1945Mozart, His Character, His Work 2006Bach in Berlin: nation and culture in Mendelssohn's revival of the St. Matthew Passion 2004Musical Listening in the German Enlightenment: Attention, Wonder and Astonishment

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.