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Male Dan: The Paradox of Sex, Acting, and Perception of Female Impersonation in Traditional Chinese Theatre

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References

1988Feminism and Theatre396 cited
1982Empire of Signs232 cited
1992A dictionary of theatre anthropology: the secret art of the performer210 cited
1974The Kabuki Theatre40 cited
1997"Alienation-Effect" for Whom? Brecht's (Mis)interpretation of the Classical Chinese Theatre31 cited

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2013Trespassing, Crisis, and Renewal: Li Yugang and Cross-Dressing Performance17 cited
2012Gender, Tradition, and Culture in Translation: Reading the Onnagata in English16 cited
2013Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic7 cited
2010Speaking of Flowers: Theatre, Public Culture, and Homoerotic Writing in Nineteenth-Century Beijing7 cited
2005Photography, Performance, and the Making of Female Images in Modern China3 cited

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