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The stagecraft and performance of Roman comedy

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Classical Antiquity Studies Theatre and Performance Studies Classical Philosophy and Thought

Abstract

Preface Introduction 1. The experience of Roman comedy 2. Actors and roles 3. Masks 4. Stage action 5. Music and metre 6. Improvisation Appendix conspectus metrorum Plautinorum References Indexes.

Citations in this library

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References

1987Cultural Literacy: What Every American Needs to Know 1992Ancient Greek Music 1968The Empty Space 1983The Latin Sexual Vocabulary 1984Impro: Improvisation and the Theatre 1984The Political Character of the Classical Roman Republic, 200–151 B.C.1993Culture and national identity in Republican Rome 1990Theatre Audiences: A Theory of Production and Reception

Cited by

2016Linguistic Interaction in Roman Comedy 2008When Did the Tibicen Play?: Meter and Musical Accompaniment in Roman Comedy 2015Laughing Awry 2009Old Men and Metatheatre in Terence: Terence's Dramatic Competition 2014The politics of Greek comedy 2017Citizens in the Graeco-Roman World 2010Crediting Pseudolus: Trust, Belief, and the Credit Crunch in Plautus’Pseudolus 2018Theater without Theaters: Seeing Plays the Roman Way

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