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• 2011Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach94 cited
• 2007Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections84 cited
• 2009Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup75 cited
• 1991A Study of the Materials Used by Medieval Persian Painters60 cited
• 2008The stucco decorations from St. Lorenzo in Laino (Como, Italy): The materials and the techniques employed by the “Magistri Comacini”52 cited
• 2017Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments51 cited
• 2014Mineral impurities in azurite pigments: artistic or natural selection?43 cited
• 2009Byzantine wall paintings from Mani (Greece): microanalytical investigation of pigments and plasters43 cited
• 1975Icon and Vision: Giovanni Bellini's Half-Length Madonnas40 cited
• 2000Dosimetry of paintings: determination of the degree of chemical change in museum-exposed test paintings by mass spectrometry38 cited
• 2010Immunology and art: Using antibody-based techniques to identify proteins and gums in artworks38 cited
• 2012Combining infrared spectroscopy with chemometric analysis for the characterization of proteinaceous binders in medieval paints38 cited