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Research opportunities in renaissance drama
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  • 2014Dispensing Quails, Mincemeat, Leaven: Katherine Parr’s Patronage of the Paraphrases of Erasmus55 cited
  • 1990The Evolution of the Form of Plays in English During the Renaissance53 cited
  • 2005What Is a Co-Author?49 cited
  • 2006Canons and Classics: Publishing Drama in Caroline England46 cited
  • 1995Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship39 cited
  • 2007George Chapman'sMasque of the Twelve Months(1619) [With text]37 cited
  • 2006”On each Wall and Corner Poast”: Playbills, Title‐pages, and Advertising in Early Modern London30 cited
  • 2007The Look of Speech28 cited
  • 1998Stuart Civic Pageants and Textual Performance20 cited
  • 1989The flagellants of 1260 and the crusades19 cited
  • 2018Men in The Making: Youth, the Repertory, and The "Children" Of the Queen'S Revels, 1609–1313 cited
  • 2008Repertory studies: A survey13 cited
  • 2019Medieval Latin Performative Representation: Re-evaluating the State-of-the-Art6 cited
  • 2009Popular Festivity and the Early Modern Stage: The Case of George a Greene6 cited
  • 2003The Red Crosse Knight, St. George, and the Appropriation of Popular Culture

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4 cited
  • 2019They Got it Wrong: How the Misunderstanding of the Nature of the Creation to Judgment Manuscripts of the English Biblical Drama Distorted our Knowledge of the Genre3 cited