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Exploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation
16 references·0 citing·17 second hop
Exploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation (2011)Exploring Tetrachordal Voice-Leading Spac…Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…Cross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Neo-Riemannian Theory and the…Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Uniform Triadic Transformations (2002)Uniform Triadic Transformatio…Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Weitzmann's Regions, My Cycle…Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Voice-Leading Parsimony in th…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Reimag(in)ing Riemann (1995)Reimag(in)ing RiemannSome Remarks on the Use of Riemann Transformations (1994)Some Remarks on the Use of Ri…An Introduction to the Music of Milton Babbitt (1994)An Introduction to the Music …Composition With Pitch-Classes (1987)Composition With Pitch-ClassesIntroduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Parsimony and Extravagance (2005)David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle (2007)Perspectives of New Music (1963)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Action and Agency Revisited (2013)The Topos of Music (2002)Scale Networks and Debussy (2004)The Geometry of Musical Chords (2006)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Chromatic Transformations in Nineteenth-Century Music (2002)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)A Platonic Model of Funky Rhythms (2016)
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References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions377 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1987Composition With Pitch-Classes167 cited
  • 1995Reimag(in)ing Riemann152 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"133 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 2002Uniform Triadic Transformations119 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1994An Introduction to the Music of Milton Babbitt111 cited
  • 2004Neo-Riemannian Theory and the Analysis of Pop-Rock Music98 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin92 cited
  • 2000Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes79 cited
  • 1994Some Remarks on the Use of Riemann Transformations66 cited

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2007
Cross-Type Transformations and the Path Consistency Condition
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