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Film as Social Practice
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  • 1999Moviegoers' Experiences and Interpretations of Brands in Films Revisited258 cited
  • 2001A Cultural Approach to Television Genre Theory223 cited
  • 2007Tourists' Experiences of Film Locations: New Zealand as ‘ Middle-Earth ’154 cited
  • 2003Of Power Maniacs and Unethical Geniuses: Science and Scientists in Fiction Film152 cited
  • 2001Of Westerns, Women, and War: Re-Situating Angolan Cinema and the Nation129 cited
  • 2020A new approach to understanding tourism practices111 cited
  • 2003Science Consultants, Fictional Films, and Scientific Practice98 cited
  • 2013Students' intercultural development through language learning in Vietnamese tertiary education: a case study on the use of film as an innovative approach76 cited
  • 2012Bringing Baseball to the Big Screen: Building Sense of Community Outside of the Ballpark63 cited
  • 2005Individual and neo-tribal consumption: Tales from the Simpsons of Springfield58 cited
  • 2007Sensemaking and Identity: The Interconnection of Storytelling and Networking in a Women's Group of a Large Corporation47 cited
  • 2012Contemporary Indonesian Film; Spirits of Reform and ghosts from the past41 cited
  • 2001Reigniting Japanese Tradition with Hana-Bi35 cited
  • 2013

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The White Savior and his Junior Partner: The Lone Ranger and Tonto on Cold War Television (1949–1957)
35 cited
  • 2005Understanding the Emergence of Markets: A Social Constructionist Perspective on Gay Economy33 cited
  • 2001The Problem with Tragic Narratives: Lessons from the Los Angeles Uprising31 cited