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The connection between music and identity is especially evident in the African diaspora. In the Caribbean, music is particularly important to the cultural and ethnic identities of black populations. This article discusses the multiple meanings of music for Panamanian Afro-Antillean identity in the Caribbean, by placing musical genres such as calypso, soka, and reggae, in the context of tourism development.
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Stored only when both papers are in the corpus — 19 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.