French national cinema

Susan M. Hayward

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Cinema History and Criticism French Historical and Cultural Studies Cinema and Media Studies

Abstract

Introduction: Defining the 'National' of a Country's Cinematographic Production 1. A Brief Ecohistory of France's Cinema Industry 1895-2003 2. Magical Moments of Musical Silence: French Cinema's Classical Age 1895-1929 3. From Clarity to Obscurity: French Cinema's Age of Modernism 1930-1958 4. From Ideology to Narcissism: French Cinema's Age of the Postmodern 1958-1991 5. Towards a Multiplicity of Voices: French Cinema's Age of the Postmodern, Part Two 1992-2004

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References

1985Imagined Communities. Reflections on the Origin and Spread of Nationalism 1982The Political Unconscious: Narrative as a Socially Symbolic Act 2013Nation and Narration 2003Hiding in the Light

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2012Visual Management Studies: Empirical and Theoretical Approaches*1996Ecopolitics: The Environment in Poststructuralist Thought 2015Screenwriters in post-war French cinema: an overview 2001The Name above the (Sub)Title: Internationalism, Coproduction, and Polyglot European Art Cinema 2010Experiences of Brands and National Identity 2009Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films 2015Rethinking Postcolonial Melodrama and Affect 2004‘Elle est où, ta place?’ The Social-Realist Melodramas of Laurent Cantet:

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