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French national cinema
4 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1982The Political Unconscious: Narrative as a Socially Symbolic Act2,446 cited
  • 2013Nation and Narration2,077 cited
  • 2003Hiding in the Light425 cited

Cited by

  • 2012Visual Management Studies: Empirical and Theoretical Approaches*287 cited
  • 1996Ecopolitics: The Environment in Poststructuralist Thought104 cited
  • 2015Screenwriters in post-war French cinema: an overview40 cited
  • 2001The Name above the (Sub)Title: Internationalism, Coproduction, and Polyglot European Art Cinema34 cited
  • 2010Experiences of Brands and National Identity34 cited
  • 2009Foreshadowing Contemporary Digital Cartography: A Historical Review of Cinematic Maps in Films33 cited
  • 2015Rethinking Postcolonial Melodrama and Affect24 cited
  • 2004‘Elle est où, ta place?’ The Social-Realist Melodramas of Laurent Cantet:22 cited
  • 2001Agnès Varda's Les Glaneurs et la glaneuse21 cited
  • 2004The Afterlife of Art and Objects: Alain Cavalier's "Therese"12 cited
  • 2005The National and the Popular in Israeli Cinema11 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2008Unhappily ever after: visual irony and feminist strategy in Agnès Varda's Le Bonheur10 cited
  • 2008The New Wave Meets the Tradition of Quality: Jacques Demy’s The Umbrellas of Cherbourg9 cited
  • 2018Persistent othering in Turkish cinema: the stereotyped and gendered Greek identity8 cited
  • 1996Nation and Anti-Nation: Concepts of National Cinema in the "New" Media Era7 cited
  • 2015Le cinéma populaire et ses usages dans la France d’après-guerre7 cited