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American Popular Music: From Minstrelsy to MTV
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  • 2013Dispatches from the Front: The Life and Writings of Ralph J. Gleason39 cited
  • 2019Rethinking Reich33 cited
  • 2008Working musicians: exploring the rhetorical ties between musical labour and leisure32 cited
  • 2009Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race29 cited
  • 2011Through the Lens, Darkly: Peter Whitehead and The Rolling Stones21 cited
  • 2019Afro-Electric Counterpoint18 cited
  • 2011A Voice of Steel through the Iron Curtain: Pete Seeger’s Contributions to the Development of Steel Band in the United States17 cited
  • 2010Geographical Study of American Blues Culture14 cited
  • 2019That’s All It Does13 cited
  • 2007"Workin' Hard, Hardly Workin'/Hey Man, You Know Me": Tom Waits, Sound, and the Theatrics of Masculinity13 cited
  • 2012Pedagogical ideas on sonic, mediated, and virtual musical landscapes: Teaching hip hop in a university classroom12 cited
  • 2011‘Welcome singingsunguraqueens’: Cultural studies and the promotion of female musicians in a Zimbabwean male-dominated music genre12 cited
  • 2010Passing for Black: Coon Songs and the Performance of Race11 cited
  • 2012Dancing through the Crisis: Survival Dynamics and Zimbabwe Music Industry *

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10 cited
  • 2006Visualizing “The Sound of Genius”: Glenn Gould and The Culture of Celebrity in the 1950s9 cited
  • 2010The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period8 cited