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Creating Space
16 references·1 citing·27 second hop
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References

  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 2005Art since 1900: modernism, antimodernism, postmodernism264 cited
  • 2004Quotation and cultural meaning in twentieth-century music172 cited
  • 1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music146 cited
  • 1994The Uses of Existing Music: Musical Borrowing as a Field139 cited
  • 1996All made of tunes: Charles Ives and the uses of musical borrowing131 cited
  • 1993In defiance of painting: cubism, futurism, and the invention of collage122 cited
  • 1999Going Flat: Post-Hierarchical Music Theory and the Musical Surface82 cited
  • 2004The sounds of place: music and the American cultural landscape77 cited
  • 1955Charles Ives and His Music50 cited
  • 1987Charles Ives: Some Questions of Veracity31 cited
  • 1992American Experimental Music, 1890-194029 cited
  • 2009Between Modernism and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann29 cited
  • 2002Schoenberg'sKlangfarbenmelodie: A Principle of Early Atonal Harmony20 cited
  • 1999Descriptive Catalogue of the Music of Charles Ives16 cited

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  • 1998The Music of Charles Ives16 cited
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    • 2019Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’sPiano Concerto in G Major5 cited