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Quotation and cultural meaning in twentieth-century music

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Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

Abstract

List of plates Acknowledgements Introduction 1. Childhood and nostalgia in the works of Charles Ives 2. Black and white: quotations in Duke Ellington's 'Black and Tan Fantasy' Interlude: chronological scenes 3. Madness 4. The promise of the past: Rochberg, Berio and Stockhausen 5. Sampling and thievery 6. Covered up: borrowing in Sandra Bernhard's Without You I'm Nothing Conclusion Appendices Select bibliography Index.

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2008Music as Discourse 2005Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music)2015Intertextuality, sampling, and copyright 2006Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores 2017Tonality as Topic 2014Theoretical Approaches to Quotation in Hip-Hop Recordings 2014A Proposed Typology of Sampled Material Within Electronic Dance Music 2014Rhymin' and stealin': musical borrowing in hip-hop

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