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The following article contains a proposed typology of sampled material within electronic dance music (EDM).The typology offers a system of classification that takes into account the sonic, musical and referential properties of sampled elements, while also considering the technical realisation of the material and the compositional intentions of the artist, producer or DJ.Illustrated with supporting examples drawn from a wide variety of artists and sub-genres, the article seeks to address the current lack of research on the subject of sample-based composition and production, and provides a framework for further discussion of EDM sampling practices.In addition, it demonstrates how concepts and terminology derived from the field of electroacoustic music can be successfully applied to the study and analysis of EDM, resulting in an expanded analytical and theoretical vocabulary.
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