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A Proposed Typology of Sampled Material Within Electronic Dance Music
14 references·2 citing·27 second hop
A Proposed Typology of Sampled Material Within Electronic Dance Music (2014)A Proposed Typology of Sampled Material W…Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording (2008)Rethinking the Digital Remix:…Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)Unlocking the Groove: Rhythm,…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…Quotation and cultural meaning in twentieth-century music (2004)Quotation and cultural meanin…Generation Ecstasy: Into the World of Techno and Rave Culture (1998)Generation Ecstasy: Into the …Quotation and Context: Sampling and John Oswald's Plunderphonics (1997)Quotation and Context: Sampli…The listening imagination: Listening in the electroacoustic era (1996)The listening imagination: Li…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Bl…Sample and hold: pop music in the digital age of reproduction (1988)Sample and hold: pop music in…The Relation of Language to Materials (1986)The Relation of Language to M…Spectro-morphology and Structuring Processes (1986)Spectro-morphology and Struct…A Theory of Parody. The Teachings of Twentieth-Century Art Forms (1986)A Theory of Parody. The Teach…A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985)A Theory of Parody: The Teach…Records as records: excavating the DJ’s sonic archive (2021)Records as records: excavatin…The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics (2016)The Aesthetics of Electronic …Garage band or GarageBand®? Remixing musical futures (2010)Formal Functions of Metric Dissonance in Rock Music (2014)Beats, flesh, and grain: sonic tactility and affect in electronic dance music (2015)The Global Politics of Contemporary Travel Writing (2006)Memes in a Digital World: Reconciling with a Conceptual Troublemaker (2013)Sociolinguistics from the Periphery (2016)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Soundscape, Acoustic Communication and Environmental Sound Composition (1996)The Routledge Companion to Sounding Art (2016)Critical pedagogy and predatory culture (1994)Bourdieu, Technique And Technology (2003)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed (2011)Laughing across borders: Intertextuality of internet memes (2017)COVID-19 memes going viral: On the multiple multimodal voices behind face masks (2020)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Youth and Cultural Practice (2002)Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music) (2005)Music as Discourse (2008)Intertextuality, sampling, and copyright (2015)
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References

  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1986A Theory of Parody. The Teachings of Twentieth-Century Art Forms931 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 1985A Theory of Parody: The Teachings of Twentieth-Century Art Forms769 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America736 cited
  • 2006Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music375 cited
  • 1998Generation Ecstasy: Into the World of Techno and Rave Culture336 cited
  • 1986Spectro-morphology and Structuring Processes279 cited
  • 2004Quotation and cultural meaning in twentieth-century music172 cited
  • 1988Sample and hold: pop music in the digital age of reproduction152 cited
  • 1996The listening imagination: Listening in the electroacoustic era139 cited
  • 1986The Relation of Language to Materials99 cited
  • 1997Quotation and Context: Sampling and John Oswald's Plunderphonics54 cited
  • 2008Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording45 cited

Cited by

  • 2016The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics

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8 cited
  • 2021Records as records: excavating the DJ’s sonic archive5 cited